By 2004, New Orleans friends Joshua Eustis and the late Charles Cooper had fixed their flag in the landscape of the American electronic underground as Telefon Tel Aviv. The duo’s acclaimed 2001 debut Fahrenheit Fair Enough, released by John Hughes III’s Chicago-based Hefty imprint, offered a deep Southern sweep on glitchy IDM and pastoral post-rock, drawing as much from bounce rap, R&B, and jazz as it did Autechre and Aphex Twin. The follow-up, Map of What Is Effortless, managed to both expand and refine the sound. Signature polyrhythmic programming met new vocal presences on seven of the nine tracks; the soulful tenor of Damon Aaron is mixed front and center; Lindsay Anderson’s delivery buoys stylistically, from atmospheric and breathy, to plain-spoken and deadpan, to stuttered and digitally clipped. The Loyola University Chamber Orchestra contribute to the title track; a sumptuous centerpiece exemplifying Telefon Tel Aviv’s craft for wordless, cinematic storytelling.
Ghostly International, having reissued Fahrenheit Fair Enough at its 15th anniversary in 2016, will update Map of What Is Effortless on April 7th. The digital release, noticeably absent in most streaming libraries until now, features three bonus tracks: “Jouzu Desu Ne,” “Sound In A Dark Room,” and a remix of the latter by legendary composer Ryuichi Sakamoto.
This LP tells the story of a witch, a pair of magic gloves, & an enormous shark via wonderfully surreal electronic songs. Bandcamp New & Notable Aug 9, 2021
Conceived as “scores for an alternative TV broadcast,” “Silent Graphs” is full of rich, otherworldly synth songs that paint vivid pictures. Bandcamp New & Notable Apr 10, 2021
The latest from precenphix kicks out spiky shards of fractured industrial and EBM, riding a line between glitch and goth. Bandcamp New & Notable Feb 1, 2021
supported by 26 fans who also own “Map of What Is Effortless”
There is a moment, four minutes into K1, where the dense haze breaks and you're granted a delicate, beautiful respite. It lasts half a minute, and then you never hear this again. Moments like these, and the weight they hold, makes this simultaneously the most gorgeous and harrowing album I have ever heard. contrapaasso